na Bombuj. A black female conservator imagines the buried stories and the hidden histories within the museum's cornucopia of colonial plunder. Filmed with fluid camera movements and a sensuous attention to lighting-camera work, Julien makes of the museum a world of shadows, mirrors and frames-within-frames where the statues also dream and the vagabond spirit of colonialism's repressed memory comes dancing, jerkily, back to life. Choreography by Javier De Frutos. 7', two-screen installation, 16mm film transferred to digital, colour, sound.
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